Autor: Tradutores

Travessura com um atrativo mágico

Tradução: *annieb*
Revisão: {patylda}
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Lockerbie, Catherine. “Mischief with a Magical Allure,” The Scotsman, June 27, 1998

HOW, precisely, do some heroes leap into children’s hearts, while others languish in the outer, adult darkness? Harry Potter, boy wizard, has zipped faster than a speeding broomstick into the affections of young readers.

His first appearance, and happy bound into the first rank of literary stardom, have been well documented. Harry Potter And The Philosopher’s Stone, JK Rowling’s debut, last year attracted dizzying praise and advances, won the Smarties Award and caused very large numbers of children indeed to adopt an esoteric vocabulary of Muggles and Hufflepuffs. Playgrounds resound to the sound of Quidditch – an airborne wizardly game featuring some very snazzy aerobatics. Children play at Harry Potter: the ultimate compliment.

This, the much-anticipated sequel – there will be seven in all – is already selling in silly numbers and scarcely in the shops yet. In the first book, we learned that Harry Potter is very far from an ordinary boy, despite his cheery, apparent normality. A lightning mark on his forehead reveals his identity and destiny.

The dark and evil Lord Voldemort killed Harry’s parents when he was still a baby; but all his darkness failed against the boy. Hence, Harry Potter is a legendary name in the world of wizards and witches – a parallel universe which Rowling creates with immense wit and inventiveness alongside the dullard world of the Muggles, or non-magical folk.

That same contrast, the ghastly suburbia of Harry’s aunt and uncle and truly revolting cousin Dudley set against the gorgeous, chaotic scariness of the magical world, also illuminates this second book.

Dudley’s world is one of business deals and boringness. Harry’s world, once he has escaped, is one where cars can fly, where pixies can run amok in a classroom, where mandrake roots reveal themselves as ugly squealing babies as they are tenderly replanted.

This is the world of Hog- warts’ School of Witchcraft and Wizardry, the boarding establishment where lessons are in wand use and potion-making rather than algebra and English, where peevish ghosts wander the corridors and personal owls deliver the post.

In this instalment of the life of Harry, strange attacks on the student wizards indicate that the fabled chamber of secrets has been opened; and there will be fine, funny and terrifying adventures with snakes, spiders and some very bad baddies indeed before modest, brave, determined, slightly bamboozled Harry wins through.

It might all be thought to be endearingly old-fashioned. These kids may say “cool” and compare latest makes of broomstick as if they were the trendiest trainers.

The setting, however, Hogwarts School, is Enid Blyton meets Mervyn Peake – a sort of jolly japes in Gormenghast. These books are not particularly contemporary, they are not particularly topical, the Spice Girls feature nowhere within them, they are not on the television (yet – they cry out for small and large screens to seize their fabulously visual characters and settings); and children love them, passionately and hungrily.

Let us ponder, then, Harry Potter and what children actually want from books. It’s clear that they don’t want didacticism or dullness; they don’t want to be pandered to or patronised. They do want some or all of the following: a rich, complete and exciting world in which to immerse themselves; heaps of magic for the days when yet more books about dating or football begin to pall; a brilliant storyline, hooking and holding fast; plenty of jokes and twists and turns and a bit of rudeness and a bit of goodness.

For, even if they absolutely don’t want moralising, they do want a large and generous sense of the moral. Rules may be broken, people may do daft, bad things, but children need to know that they too have the courage and wit and bigness of heart to ward off adversity. In the only line even remotely resembling a message here, Albus Dumbledore, great wizard and head of Hogwarts, says to Harry who has been fretting about his own potential to be a dark, rather than good, wizard: “It is our choices, Harry, that truly show what we are, far more than our abilities.”

Harry is special, and Everychild too. Those who have yet to meet him should make his acquaintance now.

The sheer buoyant zest of Joanne Rowling’s storytelling should seduce even the sternest Muggles.

* A Harry Potter fan club will be launched on 2 July. You will be required to state which wand hand you use, which Quidditch position you play in and which magical creatures you own. More information from: Harry Potter Fan Club, Bloomsbury Publishing plc, 38 Soho Square, London W1V 5DF.
* JK Rowling will be reading on 2 July in Waterstones, Sauchiehall Street, Glasgow, at 11am; and in Dillons, St Vincent Street, Glasgow, at 3pm. On 3 July she will be in Edinburgh, in Waterstone’s West End at 7pm. She will also be appearing at the Edinburgh Book Festival in August.

Copyright 1998 The Scotsman Publications Ltd.

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O segredo de Joanne Rowling foi revelado

Tradução: *annieb*
Revisão: {patylda}** Adriana Snape
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Treneman, Ann. “Joanne Rowling’s Secret is Out.” The Independent (London), 21 November 1997.

With lightning speed, Joanne Rowling’s first book has propelled her from struggling single mother to prize-winning children’s author. She tells Ann Treneman that it’s as if she’d stepped into one of her own stories …

Joanne Rowling is a star now but you can tell that she does not really believe it yet. Just a few years ago she was penniless single mother living on benefit in a grotty flat in Edinburgh. Now, at 32, she is well on her way to being a rich and famous children’s writer. Her book Harry Potter and the Philosopher’s Stone has sold 30,000 copies – a phenomenal number for a children’s book – and this week it won the Smarties Book Prize. She is thrilled but, when we meet, she seems more star-struck than star-like.

“I never, ever dreamt this would happen. My realistic side had allowed myself to think that I might get one good review in a national newspaper,” she says as her four-year-old daughter Jessica plays with a Hercules doll next to her. “That was my idea of a peak. So everything else really has been like stepping into Wonderland for me.”

And that was no small step in a number of ways. Joanne has been a secret scribbler all her life – “I remember vividly writing a book when I was five about a rabbit named Rabbit who had the measles” – but she never saw herself as a writer. Her scribbles were for her eyes only and the only people who even knew about it were those who lived with her and saw how the paper kept stacking up. It was a compulsion that was to carry her through her childhood in the Forest of Dean, her university days at Exeter and, later, through endless lunches when she worked as a secretary and a teacher.

“It was a secret. People at the office used ask me if I was coming down the pub and I would say that I was going shopping. And then they would ask me what I had bought! I just felt embarrassed about saying, well, actually I’m writing a book. I’ve met so many people in bars who say they are writing a book and it means that they’ve written down a few ideas in a notebook.”

In Joanne’s case, however, what it means is books as in plural. At the moment her drawers are full of two novels for adults – “I must remember to burn them before anyone reads them” – and boxes of manuscripts about Harry Potter, the boy wizard who is rescued by owls and attends the Hogwarts School of Witchcraft and Wizardry. Harry is magic and is certain to become a legend as the star of Rowling’s whimsical novels.

The story of how Potter came to be is almost as engaging as the boy wizard himself. Joanne had the idea in 1990 during a train trip from Manchester to London. “It was extraordinary because I had never planned to write for children. Harry came to me immediately, as did the school and a few of the other characters such as Nearly Headless Nick, the ghost whose head is not quite cut off. The train was delayed and for hours I sat there, thinking and thinking and thinking.” When she got home, she started to write.

She was still scribbling away the following year when she went abroad to teach English as a foreign language. There, she got married to a Portuguese journalist and had Jessica. The marriage didn’t last and, when Jessica was just three months old, Joanne headed back to Britain with a suitcase full of nappies and Harry Potter adventures. She went to Edinburgh to visit her sister for Christmas and decided to stay. “I decided it would be easier to be utterly poverty-stricken in Edinburgh than London.”

For the first time in her life Joanne did not have a proper job. She couldn’t afford child care and for six months lived on benefit. “I decided this really was crunch time. I told myself that I was going to carve a book out of this mass of papers.” Thus began an extraordinary – and secret – effort. “I didn’t tell anyone. People would ask me what I had been doing and I would just say out walking. I think they thought I was very strange and possibly depressed. What I was actually doing was walking round town with Jessica in the pushcair. When she fell asleep I would run into a cafe and write for two hours.”

I say that it sounds pretty strange. “I was aware of how barmy it sounded and I do think the few I told thought it was barmy. I think they thought: Oh my god, she’s really on her uppers and now she wants to write a book!” She went to the library and looked up a list of children’s book agents. She couldn’t believe it when the first one she wrote to, Christopher Little, wrote back and asked to see the rest of her book. She read that letter eight times. “It was an extraordinary moment because it was a tiny speck of light at the end of the tunnel.”

That speck soon started to glow and then glare. The book was snapped up by Bloomsbury and Rowling received a substantial advance. She is particularly pleased about winning the Smarties prize (ages nine to 12) as it is judged by both adults and children. The book has now been sold to eight countries – the American deal alone was worth some $100,000 – and Hollywood is interested too. “When the American deal came through, that meant security. It means that I can buy a flat. It means not worrying. The constant mind-blowing worry of wondering if you are going to be able to last the week without buying another pack of nappies. That is how it was and it is a horrible, horrible way to live.”

Gradually she is adjusting to the good life. “I have my moments. The other day in Edinburgh I went to my favourite cafe to reread the edited version of the second Harry book (she plans seven in all). Jessie was in nursery, because now I have the money to pay for her to go to one that she likes. I had a sticky bun and a cup of hot chocolate and I had this moment of divine revelation. I thought I am the luckiest person in the world. I am now being paid to do what I have been doing my whole life for nothing. I can sit here and know that this book is actually going to be published. Then I suddenly realised: I am a writer. I’m being being paid for it now. This is not my secret shameful habit that I don’t tell anyone about any longer.”

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