Categoria: Livro 6

Tradução: Matheus
Revisão: Adriana Snape

Anelli, Melissa. “A princely Harry Potter adventure was the dream of a lifetime,” Staten Island Advance, July 18, 2005.

EDINBURGH, Scotland — The weekend has been like a dream, complete with the bits of fantasy that usually accompanies one.

Walking up the cobblestoned slope to Edinburgh Castle on Friday night, Emerson Spartz (who represented MuggleNet) and I (representing my site, The Leaky Cauldron) kept pinching each other, and I have the marks to prove it. It seemed too much to believe, that we were in Edinburgh, on our way up to a castle, for a “Harry Potter” launch event at which author J.K. Rowling would give a reading, that following that reading we would receive a book (“Harry Potter and the Half-Blood Prince”) for which we’ve been waiting two years, that we’d spend all night reading that book and that in the morning we’d be preparing for an afternoon interview of Jo Rowling at her home office.

The pinches were necessary.

At the castle, a projection of the cover art to the British edition of the books — Harry and his mentor, Professor Albus Dumbledore, at the center of some sort of fiery vortex — covered the face of the castle, making it look ablaze. A red carpet had been set up between two sets of stadium seats, and reporters swarmed one side of it while fans crowded the other.

We sat in the stadium until Ms. Rowling arrived, huddling against the rapidly dropping Scottish temperature and whooping loudly along with all the fans, who were being worked into a frenzy by an eager emcee.

When it was time to walk into the castle we looked back at the stadium in awe and reverence, and took deep breaths as we entered the dramatically lit location.

About 10 hours later, I finished the book. It is my favorite “Harry Potter” to date — dark, elaborate, whimsical, fast-paced and humorous, containing shining examples of all the best elements of Ms. Rowling’s writing, all braided tightly together in a plot that hurtled me through its depths.

There are few things better than being able to say such things about a book you love, and one of those things is being able to say it to the author’s face. Jo asked us immediately, when we met her at her spacious office later that day, if we had read the book and what we thought, and did so earnestly. Considering our situation, it probably sounded disingenuous to rave about it as we did, but there was nothing but honesty in our ebullience.

I had seriously wondered whether I would a) tense up, b) clam up or c) throw up as the interview started, but because Jo is so relaxed and welcoming, the interview — which was supposed to be one hour but somehow inflated to two — immediately launched into a funny and calming exchange of laughs and ideas, impressions and exclamations, and best of all, questions and answers. It felt as if we’d been pen pals together for a long time, and had just made the happy discovery that we could be friends in real life, too.

The full transcript of the interview will be posted on www.the-leaky-cauldron.org throughout this week, and it contains all kinds of tidbits about her life and her books, as well as several satisfying discussions about more sober and serious topics. For years, we as fans have watched journalists who know next to nothing about the books ask her how she got the idea for Harry Potter and whether there will be more than seven volumes in her series, things she has answered so many times, the responses can be recited off by heart by any committed fan. As much as that frustrated us is as big of a relief and welcome change as this interview became. By allowing us to interview her, Jo allowed the fans to skip the basics and go right to the good stuff.

It’s the interview we’ve wanted to read for a long time, and we got to conduct it.

Time for another good pinch.

Tradução: Luh B
Revisão: {patylda}

Spartz, Emerson. “Emerson’s Scotland Report: Part One,” Mugglenet, 18 July 2005

6:00pm GMT July 14th (Thursday)

The nine hour flight was uneventful, except for almost missing my connecting flight from London to Edinburgh and the airlines losing my luggage, which eventually came a half hour before the interview on Saturday. Better late than never, I guess. I met up with MuggleNet staffer Jamie, whom I stayed with the other three times I’ve been to England, at the Edinburgh airport and we took a bus to the hotel. On the way I got my first glimpse at the famous Edinburgh Castle, which is, if you didn’t know, perched on the top of “a big friggin’ mountain” (Melissa’s words). I can’t imagine how this castle could possibly have ever been overtaken, but apparently it has been done before.

Our room was roughly the size of a broom closet and the shower was about as wide as a box of cereal, but it was courtesy of J.K. Rowling and Bloomsbury so I’m not complaining (…really!). I hadn’t slept in 22 hours and I knew there wouldn’t be time for sleeping on Friday night so I passed out as soon as we checked in to the hotel.

12:00pm GMT July 15th (Friday)

Yes, you read that correctly. I was out cold for almost 18 hours, only waking once to eat dinner. We met up with Melissa and her two friends David and Kathleen who were in the rooms next to ours. Two Irish lads (GO IRISH!), Ciaran (pronounced “keer on”) of the MuggleNet staff and his friend Lachlan joined our troop a little later. Most of the day was spent getting ready for Saturday- sleeping, eating, sleeping, eating, etc.

The real fun began that night. At 9pm, Melissa and I headed over to the city council chambers for a reception with the 70 cub reporters and their parents. The Lord Provost (mayor) gave a short speech and shortly after, a man dressed in a loud, Victorian outfit appeared atop the balcony and introduced himself as Crispin the Curator. Eight “prefects” dressed in full Hogwarts garb appeared for Crispin’s over-the-top speech explaining how Edinburgh Castle is a museum and J.K. Rowling is a magical historian. The kids ate it up.

Our group of about two dozen Bloomsbury staff and VIPs followed behind the cub reporters as they set off in their Hogwarts-like carriages and made their dramatic entrance at the castle to 2000 screaming fans. We took our seats in the VIP section of the huge grandstand had been set up to cheer Jo and the contest winners on as they entered the castle… which, by the way, looked spectacular with an enormous image of Harry and Dumbledore projected on to the front. A massive screen was set up outside near the red carpet which would was broadcasting bits and pieces of the ITV1 special “Magic at Midnight” along with shots of the crowd and filler footage of the prefects talking about their lives at Hogwarts. An MC on the ground made sure the crowd made tons of noise for the TV cameras as the kids’ carriages arrived. The noise was deafening when Jo made her dramatic appearance riding a Thestral (kidding, of course). She looks terrific for a woman nearing 40.

I just happened to be sitting right next to the CEO of Bloomsbury and his daughter Alice (you know, “the girl who saved Harry Potter”?). I pestered them both with questions all night… real nice people.

At one point, while Jo made her way down the carpet five rows of seats in front of us cleared for reasons we are still unaware. I thought it looked bad, so I slid down a few rows to the middle of the ocean of empty seats. I have always had dreams of pursuing a career as an Oscar seat-filler, so this was my time to shine. Melissa made some excuses about a skirt but after much taunting, she joined me and we gave Jo several standing ovations as the night went on.

After Jo had smiled for about 300 photos and signed as many books, she walked in to the castle and we followed shortly. The crowd kept their seats to watch the book reading on the giant screen outside.

The castle was as magical on the inside as it was on the outside. Lining the path to “the chamber” were actors dressed up like grindylows and other magical creatures. The costumes were actually pretty cool-looking – the mechanical, fire-breathing horse was especially impressive. We didn’t go in the actual room where she did the reading as we had been promised originally because we would get in the way of the TV cameras, so we watched it on screens in a room outside with the parents of the cub reporters and Bloomsbury staff. Jo was originally planning to read the first chapter but she ended up reading from chapter six – see interview for explanation. Melissa cried during the reading (“it’s all too much!”) and much to her chagrin, I have tattled to every single person we’ve met since. I believe she is planning retaliation by announcing to the world in her write-up that I was doing Irish jigs all night. Come on. I’ve been going to Notre Dame football games (GO IRISH!) since I was a wee lad and I am kind of, you know, enrolled there. I’m practically a jigging expert.

We received our beloved books from Bloomsbury immediately after the reading. I jigged. Melissa cried some more. We took a moment to soak in their awesomeness (!) and raced, literally, back to the hotel. Poor Melissa had to make the four block jaunt barefoot – she was wearing high heels and you obviously can’t run in high heels. We made off with armloads of instant coffee packets from the hotel reception and plopped down on our beds to read.

Spartz, Emerson. “Emerson’s Scotland Report: Part Two,” Mugglenet, 20 July 2005

I turned the last page at 1pm – 12 hours after I first laid eyes on the precioussss. I didn’t read straight through – took frequent breaks to stay awake (and sane), but I still think I read half the lines in the book twice due to lack of focus.

I was expecting Harry to be more powerful of a wizard by now, but overall Half-Blood Prince was a big improvement over Order of the Phoenix and probably her best yet, but I have evolved too much as Harry Potter fan to objectively say it was or it wasn’t. Harry/Hermione shippers can expect me to be even more arrogant and cocky thanks to my recent vindication (see interview or just the last four books). “…Anvil-sized hints…”

The two hours before the interview were spent frantically thinking up last minute questions and arguing over what shirt I should wear (commence eye-rolling).

The phone rang. The car was here for us.

****

Jo’s PA (Personal Assistant) Fiddy gave us a tour of her office while we nervously waited for the queen herself. The room is covered – and I mean covered – in Harry Potter paraphernalia from the books, movies and video games. She even has copies of every book in every language.

Jo walked in five minutes later, followed by Neil and little Mackenzie, the cutest little chub you’ve ever seen. We hugged and I was caught momentarily speechless, which, I assure you, is very unlike me. We gave her the gifts we’d brought for her – shirts, Dunkin’ Donuts coffee, keys to cities, etc. – and she said she had gifts for us, but didn’t want us to open them until she’d left in case we didn’t like them (as if!).

We discussed non-HP things for a few minutes before we got down to business. Melissa and I were happy to hear she’s a huge West Wing fan, because we can’t get enough of that show either. She kept asking us questions about our sites and we were happy to answer, but we needed to get the interview going because we only were supposed to have an hour with her and, well, she’s the interesting one – not us!

I was very surprised at how easy it was to talk with her – she’s so personable and friendly it seemed ridiculous that I had ever been nervous about meeting her. At first, I kept thinking to myself, “I can’t possibly be in this room talking to this woman right now,” but it only took a few minutes before I became totally engrossed in the conversation and forgot about everything else.

It didn’t even feel like an interview, it was more like a chat with friends. Her sense of humor manifests itself well in the books, but she’s even funnier in person. The two hours flew by in what seemed like thirty minutes. I was very disappointed when I heard Fiddy knocking on the door, letting us know our car was here. Jo immediately said, “He hasn’t been waiting that long. Give us 10 more minutes.” Melissa and I each had about a dozen “last questions” and Jo didn’t end up leaving for about a half hour later. This is probably wishful thinking, but it seemed like she wanted to keep on going. Melissa chimed in several times, “We should do this again.” And every time, Jo laughed and said “It’s a possibility.” We should only be so lucky!

Far too soon, it was time to say goodbye. She signed our books, we took some photos together, hugged, and just like that, she was gone. Off to raise kids and the best-selling novels of the decade.

We opened her gifts on the way back to the hotel. She gave Melissa a neat-looking ring with a snake on it (“but that doesn’t mean you belong in Slytherin!” the note said). Melissa cried some more and for once, I didn’t mock her. She’s been wearing it since.

Her gift to me was a beautiful silver cup with ornate handles on either side. Her handwritten letter explained that it was a “Quaich”, a word she assures me she didn’t make up but is actually Gaelic and means “friendship cup”. My breath caught in my mouth when I saw that it was engraved.

“To Emerson, with love from J.K. Rowling”

What an incredibly thoughtful woman.

Back at the hotel, our Potter posse was waiting to hear everything. We talked HP for a few hours – everyone was dying to talk about the book and the interview – and went out for a celebratory dinner at a famous Edinburgh restaurant/pub.

I love my life.

SUNDAY

The kids’ press conference took place at the castle at 9am. Melissa and I sat in the back row and slumped in our seats so we wouldn’t stick out, being the only adults seated. (Yeah! I’m an adult now!) They asked a few good questions but we’ve heard most of them before. Read the transcript here. We waited around for a half hour afterwards for the transcript before they told us they’d just email it to us. Bloomsbury gave us gift bags like the cub reporters got and we headed off to the internet café to update our sites.

We had lunch with Lizo Mzimba, the CBBC guy who’s been able to interview Jo several times in the past. He really knows his HP… I was impressed. Then we had to go back to the hotel and get started writing our reports and transcribing the interview. When we both had satisfactory drafts done and the first part of the interview transcribed, we went out to dinner to celebrate nothing in particular. Hey, you’re not in Scotland every day – that’s enough reason to celebrate! Well, you might be, but I’m not.

MONDAY

Hellish. But the trip was so incredibly positive overall, I don’t want to leave a bad taste in your mouths by writing a blow-by-blow account of all the things that went horribly wrong this day. I did write it, actually, in vivid detail, but that was just to make myself feel better.

OVERALL

I read Harry Potter and the Sorcerer’s Stone when I was 11 – Harry’s age – so I have grown with Harry, laughed with Harry and cried with Harry. Every Harry Potter fan wishes they could go to Hogwarts, and after visiting the Goblet of Fire movie set in November and interviewing the creator, I think I have gotten as close to Harry’s world as it is possible for a fan to get. And I have you, MuggleNet fans, to thank for this. Without your support, MuggleNet surely would not have gotten this kind of attention and I would not have been presented with these wonderful opportunities.

I don’t know how mere words can express how grateful I am to J.K. Rowling and Bloomsbury for allowing me this amazing, once-in-a-lifetime experience. All the events surrounding the release were designed to reward Jo’s fans, which says a lot about the kind of caring person she really is. She is truly a figure to respect and admire.

Thanks, Jo, for everything.

Tradução: Virag
Revisão: Adriana Snape

Grossman, Lev. “J.K. Rowling Hogwarts And All,” Time Magazine, 17 July, 2005

As the much awaited Harry Potter and the Half-Blood Prince arrives in stores, J.K. Rowling talks frankly to Lev Grossman about fantasy, fathers and how the magic is almost over.

Here is a J.K. Rowling who lives in the hearts and minds of children everywhere. She has a fairy wand and hair of spun gold, and when she laughs her tinkly laugh, tiny silver bubbles come out of her mouth.

That J.K. Rowling, however, doesn’t exist. Here’s a look at the real Jo Rowling (rhymes with bowling, by the way, not howling) at work five years ago on Harry Potter and the Goblet of Fire: “Goblet–oh, my God. That was the period where I was chewing Nicorette. And then I started smoking again, but I didn’t stop the Nicorette. And I swear on my children’s lives, I was going to bed at night and having palpitations and having to get up and drink some wine to put myself into a sufficient stupor.”

Little children everywhere should be grateful for the real Jo Rowling. Because if the imaginary one had written the Harry Potter books, just think how incredibly boring they’d be.

The real Rowling’s hair is sort of gold, although at the moment it has about an inch of dark roots. Which is understandable, since in the past six months she has given birth to her third child–daughter Mackenzie–and completed the sixth book in the Harry Potter series, Harry Potter and the Half-Blood Prince, which was released promptly at midnight on Friday. At 39, Rowling is a tall handsome woman with a long face, a slightly crooked nose and interestingly hooded eyes. Sitting at a conference table in a bungalow adjoining her stately Edinburgh home (neither her only nor her stateliest home), she talks rapidly, even a little nervously. She uses the word obviously way more often than the average person does, and she likes to say outrageous things, then break out into fits of throaty alto laughter to show you she’s just joking. Rowling wears all black–a floppy black sweater, black pants. A glance under the table reveals shiny black leather boots with steel spike heels that are, at the very least, three inches long.

Fans send Rowling wands and quills by the bushel, but she admits, a bit shamefacedly, that she never actually uses them and that the wands go straight to her oldest daughter, Jessica. The most popular living fantasy writer in the world doesn’t even especially like fantasy novels. It wasn’t until after Sorcerer’s Stone was published that it even occurred to her that she had written one. “That’s the honest truth,” she says. “You know, the unicorns were in there. There was the castle, God knows. But I really had not thought that that’s what I was doing. And I think maybe the reason that it didn’t occur to me is that I’m not a huge fan of fantasy.” Rowling has never finished The Lord of the Rings. She hasn’t even read all of C.S. Lewis’ Narnia novels, which her books get compared to a lot. There’s something about Lewis’ sentimentality about children that gets on her nerves. “There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She’s become irreligious basically because she found sex,” Rowling says. “I have a big problem with that.”

Rowling certainly isn’t afraid of sex, as Order of the Phoenix–which had Harry making out with the beautiful, grieving Cho Chang–ably demonstrated. Harry and his friends are now 16, and it would just be weird if Harry didn’t have more on his mind than wands and snitches. “Because of the demands of the adventure that Harry is following, he has had less sexual experience than boys of his age might have had,” Rowling allows. “But I really wanted my heroes to grow up. Ron’s hormones get fuller play in book six.” Cue the throaty alto laughter. “Basically it dawns on Ron that Hermione’s had some action, Harry’s had some action and he’s never got close!”

It’s precisely Rowling’s lack of sentimentality, her earthy, salty realness, her refusal to buy into the basic clichés of fantasy, that make her such a great fantasy writer. The genre tends to be deeply conservative–politically, culturally, psychologically. It looks backward to an idealized, romanticized, pseudofeudal world, where knights and ladies morris-dance to Greensleeves. Rowling’s books aren’t like that. They take place in the 1990s–not in some never-never Narnia but in modern-day Mugglish England, with cars, telephones and PlayStations. Rowling adapts an inherently conservative genre for her own progressive purposes. Her Hogwarts is secular and sexual and multicultural and multiracial and even sort of multimedia, with all those talking ghosts. If Lewis showed up there, let’s face it, he’d probably wind up a Death Eater.

Granted, Rowling’s books begin like invitations to garden-variety escapism: Ooh, Harry isn’t really a poor orphan; he’s actually a wealthy wizard who rides a secret train to a castle, and so on. But as they go on, you realize that while the fun stuff is pure cotton candy, the problems are very real–embarrassment, prejudice, depression, anger, poverty, death. “I was trying to subvert the genre,” Rowling explains bluntly. “Harry goes off into this magical world, and is it any better than the world he’s left? Only because he meets nicer people. Magic does not make his world better significantly. The relationships make his world better. Magic in many ways complicates his life.”

And unlike Lewis, whose books are drenched in theology, Rowling refuses to view herself as a moral educator to the millions of children who read her books. “I don’t think that it’s at all healthy for the work for me to think in those terms. So I don’t,” she says. “I never think in terms of What am I going to teach them? Or, What would it be good for them to find out here?”

“Although,” she adds, “undeniably, morals are drawn.” But she doesn’t make it easy. In Goblet, the good-hearted Cedric Diggory dies for no reason. In Phoenix, we learn that Harry’s dad, whom he idealized, had been an arrogant bully. People aren’t good and bad by nature; they change and transform and struggle. As Dumbledore tells Harry, “It is our choices, Harry, that show what we truly are, far more than our abilities.” Granted, we know Harry will not succumb to anger and evil. But we never stop feeling that he could. (Interestingly, although Rowling is a member of the Church of Scotland, the books are free of references to God. On this point, Rowling is cagey. “Um. I don’t think they’re that secular,” she says, choosing her words slowly. “But, obviously, Dumbledore is not Jesus.”)

There are limits to Harry Potter’s sophistication. Since Sorcerer’s Stone was published in 1998, world events have moved to the point where they threaten to ask more from the books than they have to give. By Phoenix, the fifth book in the series, Harry is embroiled in a borderless, semi-civil war with a shadowy, hidden leader whose existence the government ignored until disaster forced the issue and who is supported by a secret network of sleeper agents willing to resort to tactics of shocking cruelty. The kids who grew up on Harry Potter–you could call them Generation Hex–are the kids who grew up with the pervasive threat of terrorism, and it’s inevitable that on some level they’ll make a connection between the two.

Which isn’t a terrible thing necessarily. But the series’ major shortcoming to date is the flatness of Harry’s antagonist Voldemort (whose name Rowling pronounces with a silent t). In the past few books, Voldemort has managed to assemble a body, but he still lacks any kind of realistic motivation. You get no sense of where his boundless enthusiasm for being evil comes from. “You will,” Rowling says. “There is obviously a big gap there, and in six Harry finds out a lot of Voldemort’s history. Though he was never that nice a guy.” She laughs.

No, he wasn’t. Half-Blood Prince goes a long way, finally, to working through Rowling’s take on the psychology of evil, largely through a kind of Pensieve-aided documentary of Voldemort’s early life. Much of Rowling’s understanding of the origins of evil has to do with the role of the father in family life. “As I look back over the five published books,” she says, “I realize that it’s kind of a litany of bad fathers. That’s where evil seems to flourish, in places where people didn’t get good fathering.” Some of that must surely flow from her own experiences: her relationship with her father has been uneven, and the father of her oldest daughter is no longer part of Rowling’s life.

Despite her colossal success, which has run her personal fortune into the hundreds of millions, you can still feel Rowling’s enormous, churning ambition for her work, which seems to be fueled at least in part by lingering feelings of insecurity and self-doubt. Maybe it’s her well-known history as a onetime careerless divorced mom who spent nearly a year on public assistance, but she still constantly questions her writing, reviewing it like a boxer watching tapes of his fights. “I think Phoenix could have been shorter. I knew that, and I ran out of time and energy toward the end,” she says. She is worried that Goblet was overpraised. “In every single book, there’s stuff I would go back and rewrite,” she says. “But I think I really planned the hell out of this one. I took three months and just sat there and went over and over and over the plan, really fine-tuned it, looked at it from every angle. I had learnt, maybe, from past mistakes.”

This obsessive focus on perfection can leave Rowling a little unavailable to those around her. She tells the story of a conversation she had with her younger sister–Di, 38–about Hogwarts headmaster Albus Dumbledore, who Di feels sometimes lacks compassion for his charges. “She said, ‘That’s like you.’ And I said, ‘What’s that supposed to mean?’ As sisters do. And she said, ‘Well, you are kind of detached.’ That was, you know, uncomfortable, and probably quite illuminating. I maybe wouldn’t find it as easy as she does to say, ‘That person is my very best friend in the world.'”

Rowling is about to say goodbye to a very good friend: Half-Blood Prince is book six of a planned seven, and then that’s all she wrote. “I’ll be so sad to think I’ll never write a Harry-Ron-Hermione sentence again,” she says. But her feelings aren’t entirely unmixed. “Part of me will be glad when it’s over. Family life will become more normal. It will be a chance to write other things.”

Hang on–other things? It’s disconcerting to think of Rowling stepping out on Harry and the gang with another set of characters. But at least we can say Harry is Rowling’s last wizard. From here on out, it’s Muggles only. “I think I can say categorically that I will not write another fantasy after Harry,” she says, making herself and her publicists, who hover nearby, visibly nervous. “Wait, now I’m panicking. Oh, my God! Yes, I’m sure I can say that. I think I will have exhausted the possibilities of that. For me.” Beyond that, she isn’t giving away many clues, but she’s approaching the project with her usual ruthless skepticism. “We’ll have to see if it’s good enough to be published. I mean, that is a real concern, obviously, because the first thing I write post Harry could be absolutely dreadful, and, you know, people will buy it. So, you know, you’re left with this real insecurity.”

But future insecurities can wait. Rowling still has book seven to worry about. She has already started writing. “It will be a very different kind of book,” she says, “because I kind of cue up the shot at the end of six, and you’re left with a very clear idea of what Harry’s going to do next.”

“And,” she adds in an uncharacteristic moment of hubris, “it will be exciting!” Then she immediately retreats into self-deprecation. “You don’t know! You might read six and think, Ah, I won’t bother.”

But that, for once, is pure fantasy. Obviously.

Tradução: Sammy
Revisão: Adriana Snape

Coad, Emma. One-on-one interview with J.K. Rowling, ITV, 17 July 2005

Transcript by Deborah Skinner

Emma: Why did you start writing the series?

JK: Well, the idea hit me on this train journey, when I was travelling from Manchester to London in England. And it just came out of nowhere, the idea of a boy who didn’t know he was a wizard and received a letter telling him he had a place at a wizards’ school, and from that lots of the plot that appears in the seven books evolved on that train journey, so that by the time I got off the train I was so excited at the idea of writing this book that I just couldn’t wait to get home, and that’s how it started.

Emma: What was the very first thing that inspired you to write the books?

JK: Well, I think that first idea was one that engaged me so much, it made me so excited about the possibilities of that plot, that it gave me the motivation to persevere with it. I think that most people, erm … it can be quite discouraging writing when you haven’t got a publishing deal, you’ve got to have a lot of faith in what you’re writing just to keep going and finishing the novel and I just love the story so much so that’s what kept me going really.

Emma: Are any of the characters in the story like some of the people you met at school or when you were a kid?

JK: Not, ummmm, not, not very obviously. I think, I think the exception would be I’ve often said Ron Weasley is a lot like a boy I was at school with called Sean, who is now obviously a grown man and he’s, he’s an…Ron isn’t really Sean. I mean they’re not the same, but I noticed as I wrote Philosopher’s Stone, the first book, that he sounded like Sean and that certainly wasn’t a coincidence. Some of his humour is very Sean-ish.

Emma: Do you think you’ll be writing more books featuring some of the other characters from the Harry Potter series, like Snape and what he did before?

JK: I don’t think so, no, I’m pretty sure I won’t. My feeling is that I planned the, this series as a seven book series, that in book seven I think your questions will be answered. People will always have a few unanswered questions that they wonder, things about the characters and those things will probably be answered in fan fiction, you know, people get a lot of enjoyment writing their own stories about my characters and good luck to them. If they enjoy it then that’s fantastic, and some of it’s very good!

Emma: [Question unintelligible]

JK: Yeah, definitely. I think we’ve all met people like Draco Malfoy. In fact, nearly every reader of your age I’ve ever met has said ‘I know someone just like Draco Malfoy’ and sometimes it’s a girl. Many of my hopes and fears are Harry’s hopes and fears, in that we all want to just, we’re anxious about the same kind of things, although we’d rarely admit it. So we’re anxious about fitting in, we’re anxious about coping with work and we’re anxious about friendships and being made fun of and all of these things. Sometimes you want to be different, sometimes you want to be just like everyone else. So I think Harry goes through all of those things.

So I was very influenced by … I was also influenced by fantasies I’d had in my childhood. I had a fantasy about flying horses and a flying coach and eventually I used that in Goblet of Fire, as you know.

Emma: How do you think of the names in all the books like Gringotts and Hogwarts?

JK: Erm, Gringotts, really, I think, came from Ingots. you know you get ingots of gold, those bars? So I just liked the sound of it, so to me it sounded, ‘gr’ words can sound quite aggressive or quite, erm, or even sinister. So I really combined Gringotts. I just thought it sounded that little bit intimidating, but it had that allusion to gold in it.

Hogwarts, I always wanted Hog to be there, for some reason. I messed around with various different versions of Hogwarts until I settled on Hogwarts. I like it. I think it sounds comical and inviting at the same time. So you think about words like that and you try lots of different things and then suddenly one fits and you’re happy with it.

Emma: What one spell would you like to bring to life and why?

JK: Ooh, there are so many, aren’t there? So many. Erm, I think for me there … the outstanding spell is ‘Expecto Patronum’, and you know what that does don’t you? It creates the Patronus, it creates a kind of spirit guardian in a way. And that’s partly because of what it does. It’s the protector, and you could protect yourself and other people that you cared about with a Patronus, but it’s also because it’s such a beautiful spell. you know, the image of the silver Patronus emerging from a wand. I really like that.

Emma: How do you keep inspired as there be so much pressure on you trying to make each nook better than/of the one before it?

JK: Well there is pressure but I’m lucky in that I planned all the books so long ago now that, erm, I can’t really be deflected by much. I mean, I know what I’ve got to do next. It would be much harder if I didn’t really know what the next book would be about and I had a lot of pressure on me to as you say, make it good or make it exciting and I was sitting there think ‘Oh God, *gasps*, what do I make him do this time?’ well, luckily for me, my plans are there and I know what he’s going to do next time, so I really just have to sit down and do the whole book and make it into a book.

Emma: Will Harry and Hermione start dating, or will it be Ron and Hermione?

JK: What do you think?
Emma: Harry and Hermione.

JK: You will get more clues on that in this book (indicates HBP). In fact you’ll half of it, half of your answer is will come in this book.

Emma: Do you ever get writers’ block?

JK: Very, very, very rarely.

Emma: Really?

JK: Yeah, Erm, I once..I think I’ve only actually had one case of what I would call true writers’ block, and that was during the writing of Chamber of Secrets, and that was related entirely to the fact that Philosopher’s Stone had a lot of success which really took me aback and temporarily paralysed me so I didn’t…I was just plain scared I think, you know, I thought ‘I can’t keep this up, I can never keep this going’. I felt very insecure an very frightened by what was happening around me and that got me temporarily. And I can’t now remember how long that lasted for, I think a couple of weeks. That’s a very long time for someone like me, who writes pretty easily on a day-to-day basis.

Emma: Do you enjoy going to the movies to see your books come to life?

JK: I do enjoy it. It’s a funny feeling. One of the most disturbing feelings, and yet wonderful as well, was the first time I visited the film set. They were showing me around the set, just incredible, and there were two things. I walked into the great hall, and I’d drawn the director, Chris Columbus, sort of a rough diagram of how I saw the great hall and we’d really discussed, and the production design manager had just done the most astonishingly good job, and that felt like walking into my own head. I just walked into this place that I had imagined for so long and there it was and it really looked exactly as I imagined it and it was astonishing. And then later that day they showed me the chamber where Quirrell faces Harry at the end of Philosopher’s Stone, and there was a spooky, spooky moment when I was stood in front of the Mirror of Erised seeing myself, of course, exactly as I am — and you know what that means in the book. And so I was seeing myself as a successful, published author. Wow, so that was a very, almost embarrassingly symbolic moment, you can imagine.

Emma: Did you ever expect your books to be so popular with adults and children?

JK: No, I, I never dreamed that I would be where I am now, it’s just been incredible. I never dreamt that people would like the book so much. Erm, I often get asked the question about adults and all I can say in that is that I … I … I write these books and I don’t sit down and think ‘right, now what would an eight year old like to read and what would a twelve year old like?’ I really do write what I’d quite like to read. So from that point of view it doesn’t surprise me that other adults like them because I’m an adult, obviously, and I like them, but the scale of it obviously, is breathtaking.

Emma: the story seems to be drawing to a close, how will you feel when the books actually stop?

JK: I’ll have very mixed feelings, because, I’ll certainly have a big sense of loss and it will almost be like a bereavement because I’ve been living with Harry since 1990, so it’s 15 years so far and that’s a very, very long time to be with anyone and certainly longer than a lot of marriages, so it’s, erm, that’ll be painful, the idea that I won’t write about him anymore. On the other hand, you’ve just mentioned there is a certain amount of pressure that comes with being the writer of Harry Potter, and it would be nice to write something without any of that pressure. Although, I don’t really feel the pressure when I’m writing Harry Potter, then at some point I have to emerge from writing the book and then I really, I feel the weight of it a little bit. Erm, so there are things connected with the whole world of Harry Potter that I won’t miss so much.

Emma: What is your favourite wizards’ sweet?

JK: Oh, my favourite wizards’ sweet? I have a very soft place in my heart for Cockroach cluster. I enjoyed inventing that and yeah, I do like that!

Emma: What makes a good writer?

JK: Oooh, there’s a question. Erm, many many many different things make a good writer. For me, I like books but, erm, if you combine characters that you care about with a really intriguing story than I think, then you’ve generally got something I’d like to read. So, those are things I appreciate in other writers. Erm, but I like a number of very different writers and you could find very few things that they had in common, so it’s one of those…it’s so subjective because your favourite writer, someone else would loathe.

Tradução: Frede_Potter
Revisão: {patylda}

Anelli, Melissa. “American Editor Levine on HBP: ‘There are a lot of answers,’ The Leaky Cauldron, June 16, 2005

TLC attended yesterday’s unveiling of Scholastic’s 30-day countdown clock at its New York City store. Kids from a nearby elementary school gathered around the huge Half-Blood Prince display and answered trivia questions posted to them by Arthur Levine, the main editor of the Scholastic edition of Harry Potter, and Barbara Marcus, the executive vice president of Scholastic. The kids chanted Alohomora, and the two execs pulled back curtains to reveal the countdown clock.

See pics of the event here; cycle through by hitting “next” at the bottom of each! (These pics were taken by Leaky designer extraordinaire, John Noe.)

After Mr. Levine and Ms. Marcus were through with the event, they were kind enough to stick around to answer some of our questions. Levine said:

“[Fans] will like the fact that they are finally getting a lot of answers … You have moments when you say, ‘Wow, Harry is really growing up,’ which is not something you would have said three books ago. … Gosh, Hermione? You know, ‘You go girl.'”

There’s more in the video; we threw in a little uptempo music to reflect the mood of the day as well as the free, fun attitude of Mr. Levine and Ms. Marcus. (Make sure you watch to the end. There’s also a little joke for the sharp-eared fan in there, if you can spot it.) These files are brought to you by the good folk at Streamload.

The Scholastic 30-Days-to-HBP Countdown
Arthur Levine and Barbara Marcus Talk to TLC

Low Res (5MB, Quicktime)
[Remember to right-click and “save as”]

Medium Res (10MB, Quicktime)
[Remember to right-click and “save as”]

The Interview (transcription by Sue Upton)

After montage of event, Barbara Marcus and Arthur Levine together, waving at camera: “HI LEAKY CAULDRON!”

They turn to huge Half-Blood Prince Countdown clock and Book Cover: “And LOOK, look what’s about to happen!”

Barbara Marcus: “It’s incredibly exciting, and all the activities are starting to come in, and everyone is trying to get really creative now, and thats all very exciting. We just wanna make sure that it all, everything goes perfectly.”

Arthur Levine: “I think they will like the fact that they finally are getting a lot of answers. Definitely J.K. Rowling has paced the books in a very deliberate way, and this is book six. She only has two more, and so she really has to start (BM: “Including this one.”) yeah, and book seven ( BM: “Don’t get [inaudible], Melissa will write, “Oh my god, there’s a book eight!”) [Laughter.]

AL: “No, of all people, I know the Leaky Cauldron know what the score is! But, you finally, there are a lot of, there are a lot of answers.[He nods several times] And I think that is the most satisfying thing for fans.”

AL: “I guess for me the most satisfying thing is to see the continuing emotional development of the characters. To see them, to actually see them growing up, which is something that, as in with your children, you don’t neccessarily notice on an ongoing basis but you have moments that you say, ‘Wow,’ you know? ‘Harry is really growing up,’ you know. And it’s not something you would have said three books ago [laughter]or when he first got to Hogwarts, or… Gosh, Hermione? (Nods) You know, “YOU GO GIRL.” [laughter]

BM: “We knew that from the begining though.”

AL: “Right we knew that, but she didnt always – but she’s come a long way. So I think the character development is for me, the most satisfying.”

BM: “Aren’t we lucky? I mean that’s the word that always comes into mind, aren’t we lucky to have had this experience?”

AL: This may sound odd, but I’m just not that aware of the larger phenomenon. It’s not my job to be aware of the larger phenomenon. It my job to be focused on a book, on Jo as the author, and this, the sixth of a seven book cycle. [It’s like having the] sense of having been watching an artist paint, but the Sistine Chapel or something like that, and seeing the last bits color going, coming into the picture, finally. … Espeically the night of [the book release], that has always been the point of that I allow myself to feel that pleasure of seeing kids online, and adults, at midnight for a book.”

BM: “Mature worldly kids, and there are tons of worldly mature kids out there and adults who turn around and go go, ‘OK, the next Harry Potter is coming out. I’m gonna go back and read the first ones again.’ I mean that’s so [touches heart] How amazing? How amazing is that?”

AL: “The idea that a pub[lication] date is part of America’s cultural awareness is unique. This author has set up this incredibly elaborate puzzle, you know, putting a little piece here, a little piece there and still it’s continually amazing that this little tiny minor detail from book two suddenly becomes a plot point – I’m making that up by the way, that’s randomly chosen from my head [laughter].

BM: “You never know who the kid, that’s the other unbelievable thing, you never know who the kid that is gonna be connected and is so passionate about it. You think you do, but you don’t.”

BM: “The readers drag you back to that moment of, ‘This is why this is such a big deal.’ It’s the readers, it’s the book, it’s having the opportunity to have known J.K. Rowling, all that, has been so amazing.”

AL, standing with Cheryl Klein, continuity editor on HP: And, the Half-Blood Prince is – [Cheryl clamps her hand over Arthur’s mouth and smiles smugly while Arthur reveals the secret behind her hand (or so we think)].

Tradução: Naty Granger
Revisão: {patylda}

Parsons, Claudia. “Publisher has over 10 million Potter books ready,” Reuters, June 5, 2005

NEW YORK (Reuters) – A stolen copy of the new Harry Potter novel may already have surfaced in Britain, but the book’s American publisher is confident the latest tale of the boy wizard’s adventures will be kept secret, at least on this side of the Atlantic, until next month’s publication.

Barbara Marcus, president of Children’s Book Publishing at Scholastic — author J.K. Rowling’s U.S. publisher — said 10.8 million copies of “Harry Potter and the Half-Blood Prince” had been printed.

Most them will be in bookstores on July 16, with some held in reserve for restocking.

In an interview at the Book Expo America trade fair in New York, Marcus said security was tight but Scholastic was relying on booksellers to make sure there are no leaks or early sales.

“They really know what their responsibility is. The only thing we hold over people’s heads is that we say we can’t ship any more books,” she said, noting that the threat of being cut off from future supplies was keeping booksellers from breaking the rules.

“Everybody wants to be able to put this book in the hands of the children,” she said.

Marcus spoke shortly before news emerged that two Britons had been charged with firearms offenses on Saturday after reportedly trying to sell a stolen copy of the new Harry Potter book to the London tabloid the Sun for nearly $91,000.

The latest book is the sixth installment in the hugely popular series about the boy wizard and his friends. The fifth adventure, published in 2003, made publishing history, selling 5 million copies within 24 hours. Pre-orders have already made the new book the top seller on Amazon.

Marcus said she was one of just a handful of people who had read the book, including the editors responsible for Americanizing the text.

“I would say definitely fewer than 10 people have read it,” said Marcus, who bought the American rights to the series for $105,000 back in 1997. She said it seemed like a lot of money at the time “for an unpublished first book by an unknown British writer.”

Scholastic has sold 103 million copies of the previous five Harry Potter books and is providing promotional material for bookshops around the country which plan to hold midnight parties for fans to buy the book the moment it goes on sale.

“The booksellers have taken control and I would say there are going to be thousands and thousands of midnight parties at 12.01 on July 16,” Marcus said.

She declined to give away much about the new book, beyond repeating a few snippets that Rowling has already revealed.

“There’s a new minister of magic, someone dies but it’s not Harry or Voldemort, and the half blood prince is not Harry or Voldemort,” she said.

Tradução: Beatriz Fernandes
Revisão: {patylda}

Jacobson, Aileen. “Inside BookExpo America: Hints of Harry Potter [excerpt],” NewsDay.com, June 4, 2005

Alas, I was less successful wheedling any information about the new Harry Potter from the book’s editor, Arthur Levine. “There’s a new character named Maclaggen,” he said, and spelled the name. And …? And nothing. Levine clammed up. Jim Dale had mentioned yesterday that somebody dies. True? “I can neither confirm nor deny.” Does Harry have a girlfriend? “I can’t say … He’s definitely growing up in all areas of his life.” Later, he said he didn’t experience this book to be as dark as the last, though the overall arc of the series is that the “world is getting more pernicious.” This one, he said, “has more romance in general.” And then he and marketing VP Jennifer Pasanen, who was sitting in, started humming “Love is in the air.” Well, it’s a clue.

Unless someone swipes a copy of “HP and the Half-Blood Prince” (as two men already did in London, but they were caught), we’ll have to wait until July 16.

Tradução: Rö. Granger
Revisão:

Hammer, A.J., “Arthur Levine talks Half-Blood Prince on CNN,” CNN, May 23, 2005

Transcription of television broadcast

A.J. HAMMER, CNN CORRESPONDENT (voice-over): We’ve gone straight to the top to uncover the secrets of the next Harry Potter book. Here at the publishing company’s own book store, we tracked down the publisher of installment No. 6, “Harry Potter and The Half-Blood Prince.” The magic trick we try to perform is to get even a hint of what’s in the story.

(on camera): Have you read the book?

BARBARA MARCUS, SCHOLASTIC: And it has a — I’m not at liberty to
tell.

HAMMER: You’re not at liberty to tell me if you’ve read the book?

MARCUS: No, we’re not at liberty to tell.

HAMMER: Well security pretty tight around here.

(voice-over): The editor wasn’t much help either.

(on camera): Does anyone die in the next Harry Potter book?

ARTHUR LEVINE, EDITOR: I can’t tell you that.

HAMMER: OK, I can see where this is going to go.

(LAUGHTER)

HAMMER: Do Ron and Hermione actually get together finally? There’s been sort of this, you know, a little tension between them. Are they…

LEVINE: You know it’s interesting that you should ask that because I can’t tell you that.

HAMMER: OK. Well, here’s one for sure you can tell me. Who’s the new Minister of Magic?

LEVINE: I can’t tell you that.

HAMMER (voice-over): There are some facts out there. The sixth book in the series releases July 16 worldwide, and preorders for the book have already put it at the top of BarnesandNoble.com and Amazon.com’s best seller lists.

It has been two years since the fifth book, which has sold more than 16 million copies in this country alone. And just like the last time, bookstores are planning parties and events to handle the crowds.

MARCUS: Last time, booksellers sold five million books over the first weekend. We, right now, have 10.8 million copies that are going to be coming off the press and being sent to book stores, because we know that there are millions and millions of families and children waiting to read the next Harry Potter.

HAMMER: But as for what’s in that book….

LEVINE: Well, I can tell you that there is a new character named McClaggan.

HAMMER (on camera): We got a little something.

LEVINE: You got a little something, something.

HAMMER: McClaggan. And McClaggan is?

LEVINE: McClaggan. I’m not going to tell you that.

HAMMER (voice-over): In this case, fans of the story will just have to read all about it.

A.J. Hammer, CNN, New York.

(END VIDEOTAPE)

Source: Videotape, CNN

“Bate-papo com J.K. Rowling no Dia Mundial do Livro”. 4 de março de 2004. J.K. Rowling diz: Olá pra todos, estou aqui ao vivo e pronta para responder todas as suas dúvidas! Bobby: Alguma idéia para uma série sobre o...

Tradução: thiagofpw
Revisão: {patylda}

Rowling, Joanne Kathleen. “Fighting In A Battle That Will Never Be Won” (Príncipe de Asturias Prize acceptance speech), 25 October 2003.

It was a big surprise and an even greater honour for me when I knew I had received the Príncipe de Asturias Prize of Concord. Indeed, I didn’t intend to teach or preach to children. In fact, I think that, except for some rare exceptions, fiction literature works for children lose interest when the author is more focused in teaching morals to their readers than in captivating them with his or her tale.

Nevertheless, I’ve always believed that Harry Potter books are highly moral. I wanted to portray the ambiguity of a society where intolerance, cruelty, hypocrisy and corruption are frequent, so I could better show how heroic it can be, no matter what your age is, fighting in a battle that will never be won. I also wanted to reflect the fact that life between 11 and 17 years old can be hard and confusing, even if one has a magic wand.

I started to write 32 years ago and I’ve never wanted to be anything else other than a writer. When I was a child I got lost in my books, which were something essential for me, and my appreciation for them has grown with time. Children need tales because they need to test their imagination, to try by themselves other people’s ideas, to live other lives, to send their minds to places where their bodies aren’t mature enough to go yet. There is no movie, TV show, computer game or videogame that can emulate the magic that exists when the imagination of a reader meets with that of the author to create and unique and private world.

The Príncipe de Asturias Prize means very much for me, for it celebrates the aspect of my books I’m most proud of: the fact that so many children, coming from so different circumstances and conditions, have chosen to follow Harry through his five years at Hogwarts so far. That’s why I will donate the money of this prize to the Developing Countries Fund of the International Reading Association, which promotes literacy worldwide.